Showing posts with label Black Tusk. Show all posts
Showing posts with label Black Tusk. Show all posts

Friday, June 28, 2013

REVIEW: OXXEN - S/T EP


Oxxen, a Tennessean doom/sludge trio, sounds like the Chattanooga Choo Choo has derailed at the stroke of midnight and plowed through forests filled with man-eating black bears and haunted oak trees, leaving behind a wreckage of splintered wooden limbs, bones, and fur. While the band’s name reminds me of ill-fated computer expeditions along the Oregon Trail (I always had at least two oxen drown when I chose to ford a river), the music evokes everything from the hardest-partying stoner rock to the murkiest grunge in Seattle’s days of pre-exploitation.

Their self-titled EP kicks off with “This Shit Ain’t Exactly Thunderdome.” This shit is, however, heavy enough to give Tony Iommi a boner from a continent away. When the distortion hits it can collapse weak hearts, and there’s a punk energy in this music that spits blood and teeth into the crowd. When the songs reach mid-to-uptempo they feel like they’d be right at home playing with Black Tusk, Red Fang, or Orange Goblin. (Editor’s note: Just checked the band’s gig history and it looks like they have played, or will play, with Black Tusk. Solid.)

“Stoic Men Under Ancient Lord” swaggers with reckless grunge intensity, taking the heaviest moments of Nirvana’s Bleach and the Melvins’ Houdini and dressing them up with armor and a battle axe. It features Bill Robinson's best lead guitar work on the album, whose voice sounds how I’d imagine Kurt Cobain would sound if he was still alive. The same hoarse shout, tone deepened from years of drinking cocaine and snorting whiskey, only occasionally concerned with weak shit like pitch and melody.

Oxxen close with the album’s highlight, the 10+ minute “Riddle of Steel.” This song revs its engines as loudly as the best biker metal out there before slowing to a Cathedral crawl until the seventh minute, where they return to the punk riffing and gruff aggression that propelled the EP’s opener. Oxxen’s roots may reach into traditional doom and the spirit of Sabbath and Pentagram, but there is a fist-pumping, binge-drinking sense of immediacy and toughness to this release that gives me the hunch these dudes are a totally killer live band. Just because you can flatten a forest with your slowest riffs doesn’t mean you can’t chop the keg open with an axe and party sometimes.

This EP is currently FREE on Bandcamp, so check it out and throw them some bones if you enjoy it as much as I do:  http://oxxen.bandcamp.com/album/oxxen

And follow them on Facebook for future news on gigs and merch:  https://www.facebook.com/pages/Oxxen

Saturday, June 22, 2013

UPDATE: DECIBEL MAGAZINE ISSUE #106


Howdy, outlaws. Just received my subscriber copy of Decibel Magazine and wanted to list my articles in this fine issue. I incorrectly thought Amon Amarth had grimaced on a Decibel cover within the past year or so, but it’s been more like two and a half. Nothing wrong with them, but I’m still waiting for a Church of Misery cover. Here are the three pieces I had in this issue:

Page 23: Lesbian band profile. I talked to the thoughtful, shroom-snacking Seattle band about their new album ForesTeleVision and the female space warrior they discovered together. The album is one amazing 44 minute track that ranges from funeral doom to sludgy groove to earthy ambiance and King Diamond-inspired galloping metal. Check them out now, they're sprawlingly awesome.

Page 92: Black Tusk - Tend No Wounds review. I have really enjoyed stuff but these guys in the past, and I bet their new songs from this EP would be solid live, but I wasn’t feeling it. I gave it a 6/10 and submitted some snarky baseball related barbs. It was tough, I really wanted to like this EP.

Page 99: Naam - Vow review. These fellow Brooklynites rank high on the coolness scale with a casual charm and swaggering approach to their amp-busting, fuzzed-out stoner rock. I gave their new album an 8/10 and recommend this to anyone into stoner/doom music. Not among the heaviest albums of the year, and there are a few throw-away interludes, but some of this songwriting is just god damn incredible.

Pick it up this week, and check out some other awesome articles (with the Maryland Deathfest review, Shawn Macomber’s piece on Integrity’s Dwid Hellion, and Kevin Stewart-Panko’s Pig Destroyer HOF entry as my favorites).

Go over here to subscribe to Decibel Magazine. At $29.95 for a whole year this is one of the biggest bargains out there:  http://store.decibelmagazine.com/collections/subscriptions-renewals