Showing posts with label Deadguy. Show all posts
Showing posts with label Deadguy. Show all posts

Thursday, January 21, 2016

REVIEW: SEALCLUBBER - STOICAL


Starting with a song titled “Tales of a Romanian Horse Whisperer,” UK mood-ruiners Sealclubber immediately bludgeon the listener with noisy sludge. Based on the prevailing sense of dread and hostility in the scabrous songs on Stoical, I’m guessing this horse whisperer has more in common with the deranged theatrics and animal mutilation of Equus than that Robert Redford snooze-fest.

Speaking of animal mutilation, you might have frowned at that band name already. If it’s any solace, the violent intentions of these songs don’t stop at aquatic mammals, and humans are very much in danger once pressing play. With their barbed riffs and the pitch-black ugliness of Drunk Dad and Trap Them, Sealclubber feel like Deadguy if they lasted long enough to have an experimental sludge phase. Like the bands mentioned, Sealclubber’s songs aren’t just sutured opiate-abusing crusty gutterpunk riffs tuned to the brown note. Even in a furious barnburner like “Haima,” the song scavenges elements of hardcore and stoner metal to create a richly textured soundtrack for giving and receiving shit news.

Despite a three-plus minute atmospheric interlude frustratingly murdering momentum, the album quickly regains its footing with “Vows of Silence.” Between suckerpunches of distortion, the reverb of callused fingers scraping over guitar strings leads to a foreboding bass tone that floats above the song like a storm cloud ready to empty apocalyptic rainfall.

It’s a fitting prelude to the disarmingly pensive epic “I Only Desire the Things That Will Destroy Me in the End.” That title likely applies to most fans of heavy music, whether it be regarding their bad habits, currently undiscovered crimes, or the headbanging riffs that will eventually snap their necks. The song proceeds patiently, feeling its way along desolate corridors. Two-thirds of the way through its almost twelve-minute runtime, the song confronts the bloody aftermath it was seeimngly trying to avoid. While the climax isn’t as destructive as hinted by the album’s first half, it still feels like the inevitable victory of baser instincts, where volume rules and subtlety burns away like bong resin. It’s a nuanced track that lingers in the listener’s mind long after it gently fades out.

While their two-song EP Sticky River was impressive, this is a definite leap forward for Sealclubber. While retaining their nihilistic bite, they also build soundscapes that reflect a rotting metropolis in a puddle of mud, blood, and petrol. Looking out my window right now, the view sure as hell sounds familiar.

Follow Sealclubber over on Facebook and check for news on a Stoical pre-order, available from Medusa Crush Recordings on February 5th.

Tuesday, March 19, 2013

REVIEW: KEN mode - ENTRENCH

 
 
I was already excited to review this album, but after reading Patrick Lyons’ article about “hipster metal” I had to step in and make this post a priority today. The article examines the shrinking gap between indie rock and heavy metal and how this has resulted in numerous bands who may be shunned by the metal community for their questionable influences. The point of the piece is somewhat difficult to identify, as it reads like a meandering endorsement of KEN mode’s newest album, Entrench, while playing devil’s advocate, suggesting that “true” metal fans are weary of an “indie-friendly sound.” If snarky Brooklynites are tickled silly by abrasive, jagged, brain-bruising heaviness, then yes, this is “indie-friendly.”


According to the social scientists over at Reader’s Digest, Canada is the third most polite country in the world. KEN mode’s music is one of the chief reasons Canada didn’t land the top spot. If there was ever a soundtrack for a post-traumatic stress breakdown followed by a multi-territory baseball bat rampage this is it. KEN mode has been a model of intense consistency and this album still achieves an even more dynamic and barbed sound than previous releases.


From the opening, quivering strings of “Counter Culture Complex” there’s an uneasy, unhinged quality to this collection of songs that immediately engages the listener. “No; I’m In Control” delivers Entrench’s most lethal breakdown, threatening to smash the album itself under the weight of it’s own power. At its most ferocious the album compares favorably to pre-Relapse Dillinger Escape Plan; the songs twist just enough that you can’t fully identify what sort of animal is ripping you apart, but it’s working on its third limb. Other highlights include “The Promises of God” and “Why Don’t You Just Quit,” which both snarl and stare you down with a glare that could gouge eyes.


There are also moments of restrained anger on this album, from the slimy, Deadguy-esque crawl of “The Terror Pulse,” to the whispered electro-goth charm of “Romeo Must Never Know.” KEN mode also weave unexpected sounds into these songs (like the subtle MicroKorg hum leading into “Figure Your Life Out” and splashes of shoegaze) to build inspiring moments of contrast, which is the whole reason the album closer “Monomyth” works. The bleak, elegiac string arrangement feels like it’s tucking the album into its coffin and kissing it goodnight. it’s a surprisingly gentle conclusion to such a punishing album, and it also allows me to consider the word “monomyth” while feeling like an accomplished English minor with my Joyce VS. Campbell deconstruction of the word’s purpose. Wait, did name-dropping James Joyce just make me a hipster?


I’ve never understood the need to separate metal fans into different factions or bands into a million sub-genres. If there are talented people playing heavy music (as the Matthewson brothers and Andrew LaCour are doing so well in KEN mode) then I won’t hold it against them if a few skinny-jeaned Williamsburg residents watch with folded arms at one of their shows. The fan base does not define the band, and a small sample of the fan base especially does not. This is vicious, complex music that transcends post-(insert genre here) classification and kills everything, now.


Listen to the album to form your own opinion and purchase it here:  http://kenmode.bandcamp.com/album/entrench
(Their whole discography is available on Bandcamp. Say goodbye to your afternoon.)


Or head over to Season of Mist, their stellar record label, and check out tour dates and merch:  http://www.season-of-mist.com/bands/ken-mode


And check out their official website over at:  http://www.ken-mode.com/