Showing posts with label Cannibal Corpse. Show all posts
Showing posts with label Cannibal Corpse. Show all posts

Saturday, July 27, 2013

DECIBEL MAGAZINE: ISSUE #107


Howdy, outlaws. Just received my subscriber copy of Decibel Magazine and wanted to list my articles in this fine issue. Awesome to see Erik Danielsson of Watain on the cover; briefly met him over at Duff’s Bar in Brooklyn for a listening party of The Wild Hunt. Here are the three pieces I had in this issue:

Page 16: The 2013 Decibel Magazine Tour review. While I wasn’t able to meet EIC Albert Mudrian at the show I did witness him share the stage with Napalm Death. Upon hearing this he offered me an article reviewing the Brooklyn stop of the tour. As I state in the opening line, if I knew before-hand I’d be covering the show I wouldn’t have drank so much, and maybe wouldn’t have been so obsessed with hair.

Page 34: Ramming Speed - Doomed to Destroy, Destined to Die profile. Even though the band’s van broke down just a few hours before the interview, drummer Jonah Livingston was still one of the coolest, friendliest guys I’ve had the pleasure of profiling for the magazine. I caught their show a week after the interview at Saint Vitus with Valient Thorr and Gypsyhawk and they totally rip. The album’s in my top 5 of the year right now. So, so good.

Page 88: Lord Dying - Summon the Faithless review. A totally solid debut album from this Portland, OR band. Tough, muscular metal with a definite High on Fire vibe. I had a few minor criticisms but gave it a 7/10. They are touring with Howl right now and I could see them being great live. Looking forward to future albums by these guys.

Next month’s issue only has one review from me, but that means I actually get to read the issue without having cardiac arrest while searching for typos in my articles. Issue should be on shelves late next week if you’re still one of those weirdos who ventures into the world and stores and stuff to buy things. Just order stuff online like the rest of us Morlocks.

Go over here to subscribe to Decibel Magazine. At $29.95 for a whole year this is one of the biggest bargains out there. The writing staff is fantastic, the editors are awesome, and the design is sleek and filled with trippy illustrations. Definitely worth your money:  http://store.decibelmagazine.com/collections/subscriptions-renewals

Thursday, May 2, 2013

REVIEW: DESECRATION - MIXTAPE


Listening to Desecration’s mixtape, a free sample of cuts from their 20 year discography, is like watching a predator adapt to its surroundings in reverse. It sort of reminds me of the animals in the upcoming film After Earth, where the planet and all its creatures have become more and more efficient as killing humans. Except with Desecration you don’t get some shitty Shyamalan twist, you get exactly what you came to the party for: Lethal doses of sinister Welsh death metal, sharpened like a backwoods chainsaw.

Beginning with two songs each from Forensix and Process of Decay, Desecration show their most polished work first, with hooks that dig into your softest brain flesh and haunt you all day. “Sadosexual Suicide” grinds and batters the listener with blastbeats while remaining one of the catchiest death metal songs I’ve ever heard. There is a ton of groove in the chorus riffs off those albums, contributing an anthemic quality seen in the most addictive songs from Exhumed and Pungent Stench. “Raping the Corpse” celebrates the perversions of Ed Gein with pummelling Tomb of the Mutilated fury, reminding me that once upon a time Roberts Blossom, who played Old Man Marley in Home Alone, played a barely-fictional version of Gein in the film Deranged. “To Kill With A Drill” stomps defiantly, offering the finest batch of memorable riffs in the collection as vocalist/guitarist Ollie Jones unleashes razor-wire sharp licks. Part of the joy of listening to Desecration is the celebration of violent grindhouse-style films, like the winks at Abel Ferrara’s Driller Killer, which make a horror geek like me geek out even more.

“Dig Up, Dig In” commences with the eerie snarl of flies blanketing some swollen, disgusting cadaver before launching into grinding death. “Murder in Mind” and “Turning Black” cover similar territory, exploring the grind-groove-grind formula they’ve exploited with great success throguh their entire blood-drenched career. “Crave For Rot” ends with the most primitive production quality, but the song beneath the murk is stellar, with the lead guitar squealing over foreboding doom before speeding to a downright evil breakdown closing out the mix. There’s legitimately something for every death metal fan here. If you can’t boogie to “Bacterial Breakdown” then I’m going to need you to cut that Carcass back patch off your vest right now, chief. Desecration definitely lean towards old-school death metal, limiting technical flourishes while focusing on concise songwriting, controversial content, and songs that will inspire pit-rage and dislodged vertebrae. It’s a helluva lot of fun, as long as you’re not the corpse they’re defiling in each song. Actually, how the hell do I know, it might be fun for the corpse too.

This mix is available on Bandcamp as a “name your price” download. If you like what you hear support the band, you know how it works. Also, look for Desecration to be featured in my upcoming article for Decibel Magazine, I’ll post more details when the release date for the issue has been confirmed. Many thanks to Ollie for taking the time to answer some of my desperate “FIVE DAYS TO MY DEADLINE OMG” questions.

Listen to Desecration over here on Bandcamp: http://desecration.bandcamp.com/album/free-desecration-mixtape

And check out their website for gig dates and merch:  http://www.desecration.co.uk/

Thursday, April 25, 2013

INTERVIEW: MOM AND DAD GROWL


It may shock or even disappoint you, but I was not hatched from some speckled owl egg in the middle of winter. I was raised by two compassionate Christians who have always believed that to be truly happy in this world you had to make family and friends your priority, always be a good neighbor, encourage creativity even when you don’t understand it, and cheer for perpetually losing sports teams.

In honor of their 35th wedding anniversary I am posting this interview with my parents that I conducted about a month ago in a Friendly’s restaurant. Read ahead to discover my questionable middle school music taste, my mom’s Earth Crisis impression, and my very first CD:


Son: When was the first time you remember me being into heavy music?

Mom: Probably when we moved when you were in middle school. I noticed that the most.

Son: Do you remember any of the bands I was into at that time?

Dad: Bush.

Son: That’s true.

Dad: Hootie and the Blowfish.

Mom: Cannibal Corpse. When did you like Cannibal Corpse?

Son: That was when I got really into it, yeah. Junior high.

Dad: KoRn.

Mom: When was Bryan Adams?

Son: *Laughs*

Dad: Aren’t you glad you’re recording this?

Mom: Pearl Jam too. But I do remember Cannibal Corpse.

Sean: Yeah when I got into Cannibal Corpse that was some intense stuff. Was there a time you were nervous about me liking that type of music?

Mom: I don’t think I was nervous about the music, but I remember going into to try to find a CD for you and trying to filter out by title if we should get it for you. And I brought one home and you said, “Really Mom? This is worse than the one with the Parental Advisory sticker.”

(Editor’s Note: This is describing her purchase of Tool’s Aenima over Rage Against the Machine’s Evil Empire album.)

Mom: But I wasn’t scared so much, because I couldn’t understand the words. *Laughs* The music didn’t make me that nervous though, no.

Dad: I was raised on some hard rock so no, I wasn’t nervous. The only time I remember, is there was one band that wrote about the police. About violence towards the police.

Sean: Do you mean the band Body Count? With Ice-T?

Dad: Yeah, I think that’s the one. The rapper.

Sean: They had the song “Cop Killer” that was pretty controversial.

Dad: And now he plays a cop. *Laughs*

Mom: I think I remember other parents being impressed that I knew some of the bands you listen to, because they had no idea what their kids were into. And I’d list off the bands for them, and I’d get a laugh out of some of the names, like “Blood Somethingness” or “Zombie That.”

Sean: Blood Somethingness? *Laughs*

Mom: It always had “blood” in it!

Sean: And when I started playing in a band you were really supportive. What were your thoughts on me playing in a heavy band?

Mom: I actually really liked it, it felt like a connection. I wouldn’t call us groupies, but--

Dad: It was a social group.

Mom: It was like a bonding experience, and I liked the fact that you were into music. I think that music throughout your life--

(At this point a Waitress my parents have known for a decade approaches to the table.)

Waitress: (To my Mom) I was just thinking about you the other day, I pulled a book out the other day and there was a sketch you did in it with the teddy bear family, and I was like aww.

Dad: How are the kids doing?

Waitress: They’re getting so big, it’s ridiculous. I took them to the Children’s Museum out in Boston this weekend, because of Spring Break, and they were in the bubble room. My five month old’s blowing bubbles and just starts squealing, he loves it so much.

Dad: Loves the bubbles.

Waitress: I gotta run, but talk to you later!

(The Waitress departs.)

Son: Awesome. *Laughs*

Mom: But I think music carries through, you always have the music and the connection with the people you made music with. Like you writing for this magazine now, I think your love for music lead to that. And we would sit in the back with the other parents and cheer you on. Those were fond times.

Son: And as far as having a group of friends who were into that stuff, Dad were you ever nervous about the kids playing metal?

Dad: None of the guys you played with, no. And you gotta remember, I grew up with Alice Cooper. You watch Alice Cooper and he had quite a reputation.

Mom: I think you have to look beyond the music. You couldn’t have a nicer group of friends at that time. They were good guys and the music style doesn’t necessarily determine personality.

Son: And did you ever hear a song that was too much for you, like you didn’t even know if it was music?

(At this point a Waiter delivers our food. When he’s out of hearing distance my Mom continues.)

Mom: Some of them sounded like *Does Earth Crisis growl impersonation and laughs* I think i walked in one time and I said, “Whoa, I don’t even know what that all is.” But my parents used to walk in when I was playing the Beatles and the Stones and they’d say, “That’s music?” And I swore I wasn’t going to be one of those parents who would do that because I didn’t want to be judgemental.

Dad: Those times with your bands were great times, we enjoyed that. You guys went through a lot of garbage after Columbine and you were tough through it, and I always respected that.

Son: And do you guys remember the first CD you got me?

Mom: I remember the CD player, not the CD.

Son: It was Queen. A Night at the Opera.

Dad: Queen!

Son: Too late, Dad.